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Randy's Horror page: Candyman

Candyman




"I am the writing on the wall, the whisper in the classroom."




Character History


Moreso than any other antagonist featured among these pages, Daniel Robeitaille (The Candyman) was a tragic figure. In life, he was as much a victim as any of those he would later go on to slaughter in his death.

The son of slaves in the turbulent 1890's, Daniel was an educated, gifted, and somewhat tortured artist. He eventually fell deeply in love with one of his artistic subjects, a beautiful white woman named Caroline Sullivan, who fully returned his love. However, their affair was discovered by her racist father, who happened to be a rich landowner, and he stirred up an angry bigoted mob for the aim of making Daniel pay for the percieved crime of impregnating his daughter. The mob beat Daniel near-senseless and then chased him out of town. Exhausted, Daniel could neither run nor fight when the mob pinned him to the ground against a fallen tree, and sawed off his right hand with a rusty blade. Their bloodlust still unspent, they went on to smear him with honey from nearby beehives, and the agitated bees swarmed upon him en masse' and stung him hundreds upon hundreds of times. As the crowd chanted, dubbing him "Candyman", an agonized Daniel could only watch as Caroline arrived in tears, enraged at what her callous father and his mob of bigots had done. Daniel's last sight, was of his own marred face in Caroline's mirror, and upon seeing that...he died. However, as the mob went on to burn Daniel's body, what they didn't realize is that his embittered soul had become trapped inside Caroline's mirror.

As Mr. Sullivan scattered Daniel's ashes over the land, he had no idea that his sins would find him and pay him in full so soon. It is said that the last thing he ever saw was the face of the Candyman, now a tall, looming spectre. From the bloody stump of his right wrist, which was once the hand with which Daniel created his beautiful paintings, now protruded a huge, sharpened hook. Sullivan must have recoiled in absolute horror as the Candyman spoke, and from his open mouth came a swarm of stinging, angry bees which enveloped the racist landowner. Before he could expire from the stings, the Candyman would split him open from groin to gullet with his viscious hook. Now the change was complete, and the atist in life had become a destroyer in death. His canvas was now the human body, and his paintings would be completed in his victim's blood.

Across the stretch of time the legend of the Candyman would grow, and the tale became especially popular with children who would go on to say that if anyone should chant Candyman five times while looking at their reflection in a mirror, the hookman would come to claim them.

Fast forward to the late 20th century, 1990's Chicago. A graduate student named Helen Lyle has chosen to write her thesis on the lure of urban legends and myths. She hears the tale of the Candyman, and in her search for information she travels to a run-down, dangerous district of the city known as Cabrini-Green. Despite her fierce skepticism, Helen finds that the people living in the district are truly terrified of the hooked spectre. Ignoring their warnings, Helen goes on to further her investigation in areas where the Candyman has been said to appear, and afterwards a series of brutal murders begins. Suspicion begins to fall upon the inquisitive Helen, and in the events that followed she would go on to find out the truth behind the myth in a journey that could lead to her own grisly end.

Several years later, a young schoolteacher in New Orleans named Annie Tarrant is putting her life back together in the years following the brutal murder of her father. Rumors had spread among the superstitious that he had run afoul of the Candyman during his studies into the myth of the hookman. Her life is once again shattered when her brother Ethan is arrested and charged in the murder of a man who had attempted to debunk their father with a new book. She becomes even more unnerved when a young student named Matt begins to sketch pictures of the Candyman. Intitially, Annie believes the whole thing to be an urban myth, but her skepticism gradually becomes belief until it culminates in the murder of her Husband before her very eyes at the hook of the Candyman. As he goes on to slaughter her remaining emotional ties, Annie finds the reason for the Candyman's attentions towards her. She discovers that she is the great-granddaughter of Caroline Sullivan, Robitaille's lover. As her quest continues, she becomes more horrified at what she finds, but is still lured by the Candyman's seductive voice, seeking, almost pleading for her acceptance and acknowledgement as a part of his family. Eventually, her search leads her to the very beginning in her ancestral home, and to Caroline's long-hidden mirror...where she must decide to give in to the lure of the Candyman, or to put an end to his horror once and for all.


Images


"Well, if that Krueger guy can do it, so can I!" From Candyman


The Candyman considers a lucrative career in beekeeping, from Candyman 2: Farewell to the Flesh


"Who can paint your walls with blood, and maybe some guts too? The Candyman can!" From Candyman 2: Farewell to the Flesh



The Candyman Series at a glance


Thus far, only 2 films comprise this series, and though there is an opening for more, I would be fine with only two if another was never made. The original is based on a tale by noted horror author Clive Barker, who is also responsible for the creation of the Hellraiser series of films. Based on his short story "The Forbidden", Barker managed to weave a cinematic tale of forbidden love, racism, and terror. Tony Todd was wonderfully disturbing and seductive at the same time as the Candyman, and he was also well used in the film as well, not overexposed. It recieved many positive reviews from those who recognized it was well-removed from standard horror fare, among those was Roger Ebert of the Chicago Sun Times who's spot-on review can be read here. There are a few non-flattering reviews, but those I would put off as a result of overanalysis (often a problem when a film is reviewed.), or a bias against the genre itself. The film did well at the box office, and those who saw it almost unanimously agreed that the film gave them the creeps. And that, my friends, should be the aim of any good horror film.

The second film would be set in New Orleans, amidst the revelry and craziness of Mardi Gras. This setting would become a big part of the film, by setting it in a sense of strangeness and unreality that worked well. The look of Tony Todd's character was altered somewhat to make him look a bit sleeker, and the mood of the film was just as disturbing as the first. The film also contains a nice flashback towards its climax that relives the death of Daniel Robeitaille, accurately capturing the tradgedy of the moment. The film wasn't recieved quite as well as the first, and there are several reasons for it both good and bad. First off, a sequel will usually recive more scrutiny than the film that preceeded it, thus reviews tend to be harsher. Secondly, if the tone of a squel doesn't match the mood of a well-recived predecessor, reviews will reflect that. It is true, that the mood of the second Candyman film is indeed a bit different. The musical score tends to drift into those audible "boo" scares that oft times permiate lesser horror fare. In fact, they pull the "cat" trick as well. Secondly, the body count is increased and instead of the more subtle horror utilized in the first film, more gore is present...very present. Though I would have prefered less blood (and believe me, I usually have no objections to heavy gore.), the film still stands above most of its bretheren, and is a solid horror film.

Candyman: Graduate student Helen Lyle decides to write her thesis on an urban myth known as the Candyman. However, as she continues to delve into the legend behind the poverty and desolation of Chicago's Cabrini-Green district, she finds that the Candyman is all to real, and could be fueled by belief itself. However, as the bodies pile up, Annie becomes framed for the murders, and with nothing to loose she goes to confront the spectral hookman himself.

Candyman: Farewell to the Flesh: Annie Tarrant is a schoolteacher in New Orleans, who has been slowly piecing her life back together since the brutal death of her father. Things get worse as her brother is blamed for the murder of an author proporting to be an expert on urban myths, a man who had worked to debunk their father. As Annie tries to find the truth behind what is happening, a boy in her class begins to speak of and draw a hooked spectre called the Candyman. Annie investigates and finds out about Helen Lyle and her search for the Candyman in Chicago. As one by one, those she cares for turn up dead, and Annie finds that her ties to the Candyman run deep, perhaps too deep to escape.

Links


  • Hollywood Online: Candyman 2 Farewell to the Flesh Really the only Candyman site out there, as the web presence of the hookman is confusingly sparse. However, this site is very, very nice, and laid out in a simple, pleasing style. The flm contains dozens of production notes, details, photos, plot particulars, and lots of multimedia stuff as well. I highly reccomend this site.

  • Candyman review at Film.Com A great review of the first Candyman flick. The reviewer definately has a firm grasp on what makes the film tick, and its worth a read.

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    Candyman, and all related Characters, photos and concepts are copyright © Polygram Filmed Entertainment and Gramercy Pictures, and are used here without permission.

    This page is maintained by Randall Duane Lilly
    corvus@ezwv.com
    using Arachnophilia. copyright © 1996, The Pencil Point
    Revised- 1999-1-21