The second film would be set in New Orleans, amidst the revelry and craziness of Mardi Gras. This setting would become a big part of the film, by setting it in a sense of strangeness and unreality that worked well. The look of Tony Todd's character was altered somewhat to make him look a bit sleeker, and the mood of the film was just as disturbing as the first. The film also contains a nice flashback towards its climax that relives the death of Daniel Robeitaille, accurately capturing the tradgedy of the moment. The film wasn't recieved quite as well as the first, and there are several reasons for it both good and bad. First off, a sequel will usually recive more scrutiny than the film that preceeded it, thus reviews tend to be harsher. Secondly, if the tone of a squel doesn't match the mood of a well-recived predecessor, reviews will reflect that. It is true, that the mood of the second Candyman film is indeed a bit different. The musical score tends to drift into those audible "boo" scares that oft times permiate lesser horror fare. In fact, they pull the "cat" trick as well. Secondly, the body count is increased and instead of the more subtle horror utilized in the first film, more gore is present...very present. Though I would have prefered less blood (and believe me, I usually have no objections to heavy gore.), the film still stands above most of its bretheren, and is a solid horror film.
Candyman: Graduate student Helen Lyle decides to write her thesis on an urban myth known as the Candyman. However, as she continues to delve into the legend behind the poverty and desolation of Chicago's Cabrini-Green district, she finds that the Candyman is all to real, and could be fueled by belief itself. However, as the bodies pile up, Annie becomes framed for the murders, and with nothing to loose she goes to confront the spectral hookman himself.
Candyman: Farewell to the Flesh: Annie Tarrant is a schoolteacher in New Orleans, who has been slowly piecing her life back together since the brutal death of her father. Things get worse as her brother is blamed for the murder of an author proporting to be an expert on urban myths, a man who had worked to debunk their father. As Annie tries to find the truth behind what is happening, a boy in her class begins to speak of and draw a hooked spectre called the Candyman. Annie investigates and finds out about Helen Lyle and her search for the Candyman in Chicago. As one by one, those she cares for turn up dead, and Annie finds that her ties to the Candyman run deep, perhaps too deep to escape.
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